Photograph of Prof. Dr. Jessie Pons

Prof. Dr. Jessie Pons

Junior Professorship for South Asian History of Religion

 

Junior Professor South Asian History of Religion
 

Jessie Pons studied history of art, archaeology, Indian studies, and museum studies at the School of Oriental and African Studies (University of London), École du Louvre, and the University of Paris. In 2011, she earned her Ph.D. in art history from the university of Paris-Sorbonne with a thesis on the early Buddhist art from Gandhara. Between 2010 and 2016 she worked as a postdoctoral researcher at the Centre for Religious Studies in Ruhr Universität Bochum and was a KHK Research Fellow (2013-2014). Since January 2016, Jessie Pons has been a Professor for South Asian History of Religions.

Trained as an art historian, she is particularly attentive to the relationship between religion and art and to the role of material objects in religious experiences and the study thereof. The historical region of Gandhara (present-day Pakistan/Afghanistan), located at the crossroads of Asia, is her favourite field for reflection. In her research on Gandhara, she draws upon the results of her doctoral dissertation on the identification and characterisation of sculptural styles to reassess certain problems connected to Buddhism in the region such as networks of communication between Buddhist sites and actors, the emergence of Mahayana Buddhism, instances of instances of cultural and religious interactions and the diffusion of the hagiography of the Buddha.

Jessie Pons has a keen interest in discourses around the preservation of religious material heritage and the appropriation, destruction or reconstruction of religious sites and art objects for shifting ideological purposes. Since 2016, she has been involved in several projects for the digital documentation and preservation of Buddhist artefacts (DiGA, Pelagios Working Group, coordinated with Frederik Elwert) and sought to develop new methods for the study of the history of ancient Buddhism and of South Asian religions in general through artistic expressions.

Office Hours

 

On appointment

Areas of Research

 

Early Buddhism and Buddhist art, Gandharan Studies, Religion and Materiality in South Asia, Digital Humanities, Inter-religious encounters in early South Asia, Religion and Art, Preservation of religious sites and objects

 

Education

 

Professional Experience

 

Forthcoming (2024)

Monographs

- Spring 2024: Arts du Gandhara. Richesse, diversité et répartition des ateliers de sculpteurs sur pierre, Association pour la protection de l’archéologie afghane, Strasbourg, (Archaeologia Afghana).

- D. Jongeward, T. Lenz, J. Neelis and J. Pons, Buddhist Rebirth Narratives in Literary and Visual Cultures of Gandhara.

 

Edited volumes

- Spring 2024: De l’Oxus au Gange : Études en l’honneur de Francine Tissot. Actes du colloque en l’honneur de Francine Tissot organisé par Jessie Pons et Osmund Bopearachchi, à l’École Normale Supérieure, Paris, le 8 juin 2013 et enrichis de nouvelles contributions, Association pour la protection de l’archéologie afghane, Strasbourg (Archaeologia Afghana).

 

Articles (peer-reviewed)

- In press: Gandhāran Arts and Tracks: A Reappraisal of the Stylistic Ties between the Swat Valley, Zar Dheri and Taxila, in A. Filigenzi (ed.), Proceedings of the 24th conference of the European Association for South Asian Archaeology and Art, 26 July 2018, Rome, ISMEO, 20 pages.

 

Book chapters

- In press: O. Bordeaux and J. Pons, L’empire indien des Kouchans, in C. Ferrier (eds.), Histoire Ancienne et Médiévale de l'Inde du Nord (Nouvelle Clio), Paris, Presses Universitaires de France.

2024

Arfeen-Wegner, Percy, Jessie Pons, and Ophira Gamliel. 2024. ‘Transcending Boundaries: Sacred Spaces in Premodern and Early Modern Malabar, South India’. Bochum: Universitätsbibliothek, Ruhr-Universität Bochum. https://doi.org/10.13154/294-12689.
Detige, Tillo, Jessie Pons, and John E. Cort. 2024. ‘Eternal Salutations: Memorials of Digambara Jaina Ascetic Lineages from Western India’. Bochum: Universitätsbibliothek, Ruhr-Universität Bochum. https://doi.org/10.13154/294-12376.

2023

Autiero, Serena, Frederik Elwert, Cristiano Moscatelli, and Jessie Pons. 2023. ‘The Seven Steps: Building the DiGA Thesaurus’. Journal of Open Humanities Data 9 (July). https://doi.org/10.5334/johd.111.

2022

Amato, Antonio, Frederik Elwert, and Jessie Pons. 2022. ‘Digitization of Gandharan Artefacts: A Digitization Concept’. https://doi.org/10.46586/rub.204.
Autiero, Serena, Frederik Elwert, Cristiano Moscatelli, and Jessie Pons. 2022. ‘The Seven Steps: Building the DiGA Thesaurus’. Meeting Abstract. In Digital Humanities 2022 Conference Abstracts, 422423. Tokyo: DH2022 Local Organizing Committee. https://dh2022.dhii.asia/dh2022bookofabsts.pdf.
Elwert, Frederik, and Jessie Pons. 2022. ‘Brücken bauen für Buddha: das Projekt “Digitalisierung Gandharischer Artefakte” (DiGA) und die Pelagios Working Group “Linked Data Methodologies in Gandharan Buddhist Art and Texts”’. Poster Abstract. In DHd2022: Kulturen des digitalen Gedächtnisses, edited by Michaela Geierhos, 267–68. Potsdam: s. n. https://doi.org/10.5281/zenodo.6327971.
Pons, Jessie. 2022. ‘Would You like Some Wine?: Remarks on a Revelling Scene from Zar-Dheri’. In Connecting the Art, Literature, and Religion of South and Central Asia, edited by Ines Konczak-Nagel, Satomi Hiyama, and Astrid Klein, 281–98. New Delhi: Dev Publishers & Distributors.

2021

Pons, Jessie. 2021. ‘Wie die Erde aus dem Wasser kam, damit Kinder spielen können: eine Schöpfungsgeschichte aus dem vedischen Indien’. In Wie die Sterne an den Himmel kamen, edited by Kianoosh Rezania, Judith Stander-Dulisch, and Franziska Burstyn, 35–42. Leipzig: Edition Hamouda.

2020

Elwert, Frederik, and Jessie Pons. 2020. ‘Linked Data Methodologies in Gandhāran Buddhist Art and Texts: Pelagios Working Group Final Report’. https://doi.org/10.13154/rub.148.125.

2019

Pons, Jessie. 2019a. ‘Gandhāran Art(s): Methodologies and Preliminary Results of a Stylistic Analysis’. In The Geography of Gandhāran Art, edited by Wannaporn Rienjang and Peter Stewart, 3–40. Oxford: Archaeopress Archaeology. https://www.carc.ox.ac.uk/PublicFiles/media/The%20Geography%20of%20Gandharan%20Art.pdf.
———. 2019b. ‘Geschichten von Zerstörung, Verfall und Blasphemie: eine Biografie der Buddhastatuen von Gandhara’. In Bild Macht Religion, edited by Martin Radermacher and Hans Günter Golinski, 134–39. Bochum: Kunstmuseum Bochum.

2018

Amato, Antonio, Frederik Elwert, and Jessie Pons. 2018. ‘Erstellung eines Digitalisierungskonzeptes: Gandhararische Artefakte: Abschlussbericht’. Förderkennzeichen 01UG1649X. https://doi.org/10.2314/gbv:1025141458.
Beltz, Johannes, Anna Hagdorn, Patrick Krüger, Jessie Pons, and Alexandra von Przychowski. 2018. Buddhismus ABC: Religiöse Schulen Und Gruppierungen, Legendäre Und Historische Personen, Legendäre Und Reale Orte, Lehrbegriffe Und Rituale, Göttliche Wesen Und Gottheiten, Symbole Und Kunst (version Publisher’s Version). Zürich: Museum Rietberg.

2016

Pons, Jessie. 2016a. ‘Brian Black and Laurie Patton (Eds): Dialogue in Early South Asian Religions: Hindu, Buddhist, and Jain Traditions. (Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History.) Xi, 265 Pp. Farnham: Ashgate, 2015. ISBN 978 1 4094 4012 3’. Bulletin of the School of Oriental and African Studies. Cambridge: Cambridge Univ. Pr. https://doi.org/10.1017/s0041977x16000914.
———. 2016b. ‘Kushabn Dynasty IX. Art of the Kushans’. In Encyclopaedia Iranica, edited by Ehsan Yarshater. London: Routledge & Kegan Paul. https://www.iranicaonline.org/articles/kushan-dynasty-09-art.
———. 2016c. ‘Kushan Dynasty VI. Archeology of the Kushans: In India’. In Encyclopaedia Iranica, edited by Ehsan Yarshater. London: Routledge & Kegan Paul. https://iranicaonline.org/articles/kushan-dynasty-06-archeology-india.

2015

Leach, Robert, and Jessie Pons, eds. 2015. Puṣpikā: Tracing Ancient India through Texts and Traditions: Contributions to Current Research in Indology Volume 3 (version Publisher’s Version). Puṣpikā 3. Havertown: Oxbow Books. https://www.jstor.org/stable/j.ctt1cd0pcr.

2014

Pons, Jessie. 2014a. ‘Ducoeur, G (ed.): Autour de Bāmiyān, De la Bactriane hellénisée à l’Inde Bouddhique. De Boccard: Paris, 2012’. Topoi. Paris: Boccard.
———. 2014b. ‘The Figure with a Bow in Gandharan Great Departure Scenes: Some New Readings’. Entangled Religions 1: 15–94.
———. 2014c. ‘Zafar Paiman and Michael Alram : Tepe Narenj à Caboul, Ou l’Art Bouddhique à Caboul Au Temps Des Incursions Musulmanes. The Tepe Narenj Buddhist Monastery at Kabul. Buddhist Art during the First Muslim Raids against the Town. Volume I, Chronologie Bâtiments, Céramiques et Monnaies. Paris 2013’. Bulletin of the School of Oriental and African Studies. Cambridge: Cambridge Univ. Pr. https://doi.org/10.1017/s0041977x14000743.

2013

Pons, Jessie. 2013. ‘Jayaswal, V. (ed.): Glory of the Kushans, recent discoveries and interpretations. Aryan Books Int.: New Delhi, 2012’. Topoi. Paris: Boccard.

2011

Pons, Jessie. 2011. ‘From Gandharan Trays to Gandharan Buddhist Art: The Persistence of Hellenistic Motifs from the 2nd Century BC and Beyond’. In From Pella to Gandhara, edited by Anna Kouremenos, 2221:153–76. Oxford: Archaeopress.

2010

Pons, Jessie. 2010. ‘Remarks on the Geographical Definition of Gandhāran Buddhist Sites’. Journal of Ancient Indian History 26: 37–49.

2009

Pons, Jessie. 2009. ‘Eclat d’un métissage’. In 100000 ans de beauté, edited by Elizabeth Azoulay, 168–71. Paris: Gallimard.

2008

Pons, Jessie. 2008. ‘Gandharan Trays’. In Gandhara, the Buddhist Heritage of Pakistan, edited by Dorothee von Drachenfels and Christian Luczanits, 78–79. Bonn [u.a.]: Verl. von Zabern.

1985

Pons, Jessie. 1985. ‘Kushan Archaeology (Indian Side)’. Edited by Ehsan Yarshater. Encyclopaedia Iranica. London: Routledge & Kegan Paul.

Introductory Classes (in German or English on demand)

On regular offer

 

Seminars (in English)

Current Summer Semester 2024

 

Past Semesters

 

eCourses

Buddhismus (Südasien) – OpenRUB.: https://moodle.ruhr-uni-bochum.de/course/edit.php?id=52092. 
Hinduismus – OpenRUB.: https://moodle.ruhr-uni-bochum.de/course/view.php?id=56523.

PhD Supervisions

On-going

Percy Arfeen: Transcending Boundaries: Material Culture of Sacred Spaces in Premodern and Early Modern Kerala, South India

Tillo Detige: Eternal Salutations: Early Modern Digambara Jaina Renouncers' Funerary Monuments from Western and Central India

Leo Weiß: Die universitäre Sammelleidenschaft im (post) kolonialen Kontext: Die heilkundliche Instrumentensammlung des Indologen A.F. Rudolf Hoernle am Karl-Sudhoff-Institut Leipzig (CERES, RUB).

Completed

Lillian Sellati: When is Herakles Not Himself? Mediating Cultural Plurality in Greater Central Asia, 330BCE-365CE (Department of the History of Art, Yale University, defended in June 2023).

Principal Investigator of CRC 1475 „Metaphors of Religion“

Professor of Center for Religious Studies , CERES Directorate , CERES Teaching and South Asian History of Religions

Coordinator of Religion & Media

Project Leader of Subproject B04

Member of Research Department of CERES RESEARCH DEPARTMENT

Involved Person of Study Advisory Board

Cooperation Partner of NFDI4Memory

Former Projects and Affiliations

Project Leader of DiGA , Digitization of Gandharan Artefacts and Linked Data Methodologies in Gandhāran Buddhist Art and Texts

Individual Researcher of The Circulation of Divinities

Research Associate of Dynamics of Text Corpora and Image Programs

Fellow of Käte Hamburger Kolleg

Colleague of Käte Hamburger Kolleg